Antibiotics essays

Antibiotics essays The last time you took your five-year-old to the family physician with a serious case of strep throat were they hesitant to prescribe him an antibiotic? Its scary to think that as more and more bacteria develop immunity antibiotics are losing their potency. Bacterial resistance is a real problem in human health, but the question is, how much impact does animal drug use have on the problem? You may think this is only an issue for humans, but this immunity to antibiotics is also causing a serious situation in the livestock industry, and their issues could quite possibly affect you too. Its scary to think that doctors are facing problems like hospital pneumonia that will not respond to any of their antibiotics, or resistant strains of sexually transmitted diseases. For cattle producers its as equally frightening to be facing strains of food-borne pathogens that resist treatment. How does bacteria become immune to antibiotics? The reality is that this is not just some theory doctors are testing. Its the same syndrome that is affecting pesticides. When a farmer has his crops sprayed the treatment might kill a billion bugs, but the one or two it misses will flourish. If thats because of genetic resistance to the treatment youve got a problem you can no longer treat with that compound. You now have to change compounds. It works the same way with the antibiotic scare; only you are now dealing with bacteria that might infect both livestock and humans. Last spring the General Accounting Office (GAO) produced a study on the question. It talked about some theoretical problems and in the end recommended more study. It also noted that several other countries were imposing more strict regulations on antibiotic use in food animals, and warned that the U.S. could face trade restrictions in the future. The Animal Health Institute (AHI) is the trade group representing the animal healt...

Appearance and Staging of The Relapse; or Virtue in Danger

Appearance and Staging of The Relapse; or Virtue in Danger In John Vanbrugh’s The Relapse; or Virtue in Danger, Act I, scene i. plays a crucial role in establishing the theme of appearance versus reality. Because this play is a continuation of Colley Cibber’s Love’s Last Shift, it is imperative that the first scene of the opening act has the ability to stand on its own. Therefore, in order to exude the themes of duplicity and manipulation, deceit and denial, it is essential that the casted actor and actress know not only how to act, but how to act within an act. In addition, by focusing specifically on the tone and the word choices Vanbrugh utilizes for the dialogue between Loveless and Amanda in the opening scene, the audience can readily detect the ultimate fate of the couple’s marriage. Lastly, by choosing the perfect setting for which the opening scene occurs and by directing the physical movements and facial expressions desired from the actors, the new rendition of Vanbrugh’s The Relapse will not only be a success, but will enable the audience to develop a deeper understanding of the characters and the motivations behind their actions in less than 150 lines. As the curtains open, the lights should be affixed upon a handsome looking man in his late twenties. Wearing clothing not as royal as the king or as disheveled as a beggar, this man must have an uncomfortable look in his appearance, not fitting in the role he is playing. Similarly, surrounded by shelves and shelves of thickly bound novels, the man should be sitting in an armchair with a novel in his hand, but his eyes shifting from one object to the other. Immediately, the appearance and the setting of the opening scene should radiate a sense of discomfort and unsuitableness. Assuming that a majority of the audience has not seen Cibber’s Love’s Last Shift, Loveless, husband to Amanda, must not appear to be the fully unkempt rake from the inception or the fully refined and reformed gentleman at the end. By allowing the setting and the initial perception of the actor to become the foundation of The Relapse, there is room for growing validity in the actors’ verbal exchanges. As Loveless opens with a soliloquy, he declares, â€Å"How true is that philosophy which says / Our heaven is seated in our minds† (I. i. 1-2)! With the help of the uncomfortable manifestation in which Loveless displays through his actions and speech, the audience can infer that Loveless is not only sitting in a room he is not fully accustomed to, but he is also partaking in something he has rarely done before, reading. Furthermore, Loveless betrays him desires to the audience by revealing to the audience of â€Å"all the roving pleasures of [his] youth/ (Where nights and days seemed all consumed in joy,/ Where the false face of luxury / Displayed such charms† (I. i. 3-6). Unconscious of his vulnerability to the audience, Loveless is mentally and emotionally reflecting on â€Å"the raging flame of wild destructive lust† while verbally seeking innocence by deeming his thoughts as â€Å"a warm pleasing fire of lawful love† (I. i. 15-16). By showi ng the contradictions between what he says and how he feels as well as emphasizing the inability to blend with his surroundings, the audience can see that Loveless is trying to talk himself out of what he loves. As the title of the play will suggest, Loveless has already relapsed in his mind and his heart. In fact, the reality is that Loveless does not find the life of â€Å"moment’s peace† to be exhilarating and prefers to engage his mind â€Å"musing on [his] happy state / and full of grateful thoughts† (I. i. 9, 20-21). The language of the opening scene is vital because it reveals both Loveless’s actions and his habitual nature. In addition, by manipulating the setting and the dress of the actor with the character’s dialogue, the scene takes full advantage of the character’s natural role as a rake. When Amanda walks on stage, she should bring no surprises or excitement. Although the actress playing Amanda should be young, in her early twenties, and attractive, she cannot be exceedingly beautiful. In addition, the actress playing Amanda should have a calm gait and plain, simple attire. By doing so, no new feelings are incited for Loveless, allowing their marriage to appear monotonous and habitual. In the exchange between the married couple, the word â€Å"heaven† is repeated over five times, disclosing to the audience that their love may extend beyond reality. There is a play on appearance versus reality in this exchange; although the perfect and divine nature of heaven is used to delineate the relationship between Loveless and Amanda (appearance), religion itself is detached from their relationship (reality). In addition, when Amanda enters the stage to meet Loveless, there should not be an interruption to Loveless’s thoughts. He verbally tells Amanda â€Å"You find me musing on [his] happy state / And full of grateful thoughts to Heaven and you† but his thoughts have not departed from â€Å"roving pleasures† (I. i. 20-21, 2). Similarly, when Loveless woos Amanda by saying â€Å"The largest boons that Heaven thinks fit to grant / To things it has decreed shall crawl on earth / Are in the gift of women formed like you,† the actor must act with deceit, almost imagining that the person he is wooing is not Amanda, but one of the â€Å"wild destructive lust† (I. i. 28-30). In order for the relationship to appear duplicitous and manipulative, both the actor and the actress must exaggerate their movements and speech. Every time the word heaven is used, the actors should be exaggerating their physical interactions with each other by drawing themselves closer to each other, climaxing when Amanda says, â€Å"There let [their love] grow forever† (I. i. 39). Unfortunately, the downhill deterioration of Amanda and Loveless’s marriage begins all too soon after the farfetched exchanges of Heaven granting them forever growing love. Amanda should be slowly pulling away from Loveless’s caress as she comments, â€Å"’Twere all the heaven I’d ask. / But we are clad in black mortality, / And the dark curtain of eternal night / At last must drop between us† (I. i. 42-45). Amanda seems to acknowledge in the futility of their relationship by disclosing the inevitability of â€Å"that mournful separation† (I. i. 47). Because Loveless is the deceiver, the actor who plays his role must be able to be simultaneously sarcastic, yet charming. Amanda, on the other hand, is intelligent yet insecure. Therefore, the actress playing her role must not be domineering and self-righteous, but must possess both intelligence and a sense of fear and self-denial when questioning her husband’s faithfulness. From the once seemingly affectionate and loving exchange between a husband and a wife now surfaces the harsh reality of a relationship built upon â€Å"rocks of reason† (I. i. 55). Also, within this conversation, there needs to be focus on Amanda’s ability to manipulate as well, though her manipulation result in sorrow and grief. Amanda’s utilization of guilt is a weapon of her manipulation. After claiming the certainty of a division between them, Amanda must look away from Loveless sorrowfully as she says, â€Å"Perhaps that pain may only be my lot;† but turn to him once more with the slightest tone of accusation saying, â€Å"You possibly may be exempted from it: Men find out softer ways to quench their fires† (I. i. 50-53). By questioning Loveless’s constancy simply by generalizing men as having the ability to find another female replacement, Amanda, in effect, is able to extract from Loveless the foundation of his love for her: â€Å"You’ll f ind ‘tis built upon a steady basis / The rock of reason now supports my love† (I. i.54-55). If logic and reasoning are the only means by which Loveless is married to Amanda, then the truth has been revealed and there is no more hope for this marriage. In addition, knowing that the character Amanda plays is that of a submissive wife, she does not have any power or control over Loveless. In fact, Amanda’s fears are made so transparent for the audience that sympathy is aroused toward her while condescension and contempt for Loveless. Therefore, the actress must reveal her truest self exposing to the audience her love for Loveless and her fears of his infidelity in their marriage. As Amanda confesses with parallel statements of, â€Å"I know its false insinuating pleasures; / I know the force of its delusions; / I know the strength of its attacks; / I know the weak defence of nature; / I know you are a man – and I – a wife,† her voice must be crying out in desperation, her body becoming weaker and weaker after each â€Å"I know† (I. i. 65-70), her knees touching the ground as she accepts her position as the subservient wife. Loveless, on the other hand, is roused to his feet in anger upon hearing h is wife’s fears and confession that she â€Å"is uneasy at your going to stay so long in Town† (I. i. 65). The role of the authoritative and the submissive can be portrayed by the actor and actress’s bodily physique. Amanda must have a fragile and innocent appeal to her; Loveless should appear arrogant and self-righteous. The words Loveless uses in response to Amanda include banish, traitors, arms, destructions, roving, bankrupt; these words show the harshness and coldness Loveless feels toward his wife. On stage, Loveless must rise in anger, his speech becoming more agitated, as he defends himself by saying â€Å"I have never thrown one roving thought that way† (I. i. 89). The actor must also be standing over the actress, exuding a sense of authority and power in the hands of a man. Knowing from the very beginning that the character, Loveless, does not belong in the countryside, there also needs to be a sense of urgency in his speech that reveals his desire to leave ‘Town’ and go to London as well. Ultimately, Loveless once again betrays his inner desires for sex with other women with his air of pride. Although he uses â€Å"honest conscience [as his] witness to never have thought of other women, his rhetoric are all indicative of sex as he references to â€Å"old cast mistress† and his â€Å"former boon companions† (I. i. 108). What appears to be honest conscience is in reality a mere reflection of Loveless’s inner desires. Towards the end of this act, Vanbrugh uses short, staccato lines in the back to back exchange between the couple; Loveless and Amanda are both engaged in an unbridled rage and ruthless contempt has been made exceptionally clear in the language structure. Throughout the argument, the two actors should be facing each other at a short distance away. Although the argument is tense, the actor playing Loveless must stand firm in his belief that Amanda’s distrusts of his faithfulness are wrong. In order to portray the anger on stage, not only must this exchange happen in rapid succession between Amanda and Loveless, they need to physically exaggerate their bodily movements to show anger and frustration. Although Loveless will remain cold-hearted even when the act ends, Amanda’s voice must be brought to a whimper after Loveless screams, â€Å"Fie, fie, Amanda! It is not kind thus to distrust me† (I. i. 127). Whereas Loveless’s fears are founded on distrust, Amanda ’s are â€Å"founded on [her] love† (I. i. 128). There is a collision of faithfulness and infidelity, love and deceit. As the act concludes, Amanda’s last lines, â€Å"’Twould be a weakness in my tongue / my prudence could not answer / If I should press you farther with my fears; / I’ll therefore trouble you no longer with ‘em,† depict her ultimate surrender to her husband’s infidelity (I. i. 136-140). Unable to persuade Loveless to stay with her in the countryside, Vanbrugh limits the female voice in communication to man, suggesting that the only hope for Amanda now is in a higher power of God. The first act of John Vanbrugh’s The Relapse; or Virtue in Danger is extraordinarily powerful in its ability to disclose characters’ motives and inner desires to the audience. In addition, not only is this opening scene captivating, it does not rely on luxurious staging or lighting. Because this play has a focus on appearance versus reality, through the means of dress and setting, the audience is able to acknowledge the ways in which the actors manipulate and deceive. From setting the stage to appear unfitting for Loveless to clothing Amanda in a simple night gown, the audience is able to detect the incompatibility of the married couple. Relying on the actors’ tone and body movements to betray their own selves, the audience can see through the actors’ deceits and self-denial. Ultimately, it is through the careful and well thought-out intertwining of the script and the acting that will determine the success of The Relapse.

Organizational Behavior Essay Example | Topics and Well Written Essays - 250 words

Organizational Behavior - Essay Example This is where the company creates a culture that appreciates new ideas from employees, improvements in performance, and innovations. The appreciation is mostly through awards or promotions. Such initiatives make employees offer best of their services. The strategy gives answers to why CISCO sells classy products, which dominate the networking industry despite other companies such as TP-Link and D-Link, which produces cheaper products (Boorsma and Mitchell, 2011). Annual activity schedule is also among the strategic techniques used by CISCO. This defines the work schedule of different departments, where they have to meet the target by the end of the financial year. In this instance, employees will be forced to work using the set guides and this facilitates the company in exploiting human resources to the maximum (Hiam, 2010). The annual activity schedule is designed with the â€Å"can’t lose spirit†. This enhances the company’s objective as they will be meet demands of customers and uphold their market share (Locke & Latham, 2009). Disarming technique is also a technique used to overcome critics from different parties. Practically, critiques are ideals tools, which facilitate identification of loops in services and products. The company motivates employees to criticize these critics by offering better services (Hiam, 2010). This turns out being a defense mechanism, thus improving employee performance. Boorsma, B. and Mitchell, S. (2011). Work-Life Innovation: Smart Work—A Paradigm Shift Transforming How, Where, and When Work Gets Done Available at:

The Dicode PPM (DiPPM) Essay Example | Topics and Well Written Essays - 500 words

The Dicode PPM (DiPPM) - Essay Example The results from the simulation tests have revealed that when the RS decoder is used it increases the transmission efficiency of the DiPPM to a large extent by decreasing the number of photons. In addition, the system using the RS code has also been shown to provide an improvement of 5.12 dB as compared to the systems which do not employ the RS code. Such an improvement is observed when the code functions at the optimum rate of (3/4) and at a code length.Further, the results have also shown that at this optimum code rate, the DiPPM system achieves maximum transmission efficiency. However, when the system is operated below this optimum level, there is an increase in the number of redundant symbols which in turn negatively affects the performance of the system. It is only above the optimum coding rate that the redundant symbols are found to decrease which implies that the amount of correcting symbols also decrease thereby reducing the transmission efficiency. From the results, it is al so evident that the DiPPM system while using the RS code required only about 14.3 x 103 photons per pulse when it is operated at a bandwidth equal to or above 0.9 times the PCM data rate. On a comparative basis when the DiPPM system uses the MLSD system it achieves a reduction in a number of photons per pulse when it is operated at a bandwidth of less than 1 normalization. From this, it is evident that the DiPPM system when using the RS code outperforms that of the MLSD system when it is operated at a high bandwidth.

African American Slang Essay -- Communication Language Essays

African American Slang African American Slang has had many other names: Ebonics, Jive, Black English, and more. The Oxford English Dictionary defines slang (in reference to language) in three different ways: 1) the special vocabulary used by any set of persons of a low or disreputable character; language of a low and vulgar type 2) the special vocabulary or phraseology of a particular calling or profession; the cant or jargon of a certain class or period 3) language of a highly colloquial type, considered as below the level of standard educated speech, and consisting either of new words or of current words employed in some special sense. Whatever one’s perspective on slang, it is a natural and inevitable part of language. In this paper I will discuss examples of current slang being used that some people may not understand. The African influence of American English can be found as far back as the Seventeenth century. Although its influence may have began that far back, the influence of African American slang has arguably reached its peak (so far) in the last half on the 20th century. Evidence of this can be seen in magazines, music, television, and films. Perhaps more importantly, evidence can be seen in the way that people of ethnic groups, other than African American, have changed their speech due to this influence. The Equal Rights Movement lead to a paradigm shift in African American linguistic consciousness due to Black intellectuals, scholars, activists, artists, and writers deliberately engaging in a search for a way to express Black identity and the particular circumstances of African American life. Although there had been strides in Black pride in the past, this was the first one to call for linguistic Black p... ...at this is a desired result. Ebonics is a fun variation on the standard, and as stated in the beginning of this paper, Ebonics has an influence; many would say a positive one, on the mainstream dialect. Works Cited Green, Jonathon. The Cassell Dictionary of Slang. London: Cassell, 1998. Klein, Ernest. A Comprehensive Etymological Dictionary of the English Language.Volume 1 A-K. Amsterdam: Elsevier Publishing Company, 1966. Major, Clarence. Dictionary of Afro-American Slang. New York: International Publishers, 1970. New York - - -. Juba to Jive: A Dictionary of African American Slang. London: Penguin Books, 2000. Oxford English Dictionary Online. 2nd ed. May 2001. http://www.oed.com Scotti, Anna and Paul Young. Buzz Words New York: St. Martin’s Press, 1997. Smitherman, Geneva. Black Talk. 2nd ed. Boston: Houghton Mifflin Company, 2000.

Free Will Essay

Vilayandur S. Ramachandran came from a distinguished family in Tamil Nadu, India, and was neuroscientist, which is a field of study encompassing the various scientific disciplines dealing with the nervous system. Ramachandran’s views on the brain and how it works are discussed in his work â€Å"The New Philosophy†. In his essay he discusses the nature of consciousness, discussing the effects of certain mental states and their influence on the body and the brain. One of his main topics, however, is the Ramachandran’s view of free will. He suggest that â€Å"†¦ neuroscience intersects with philosophy because the question of free will has been a philosophical problem for hundreds of years and more† (Jacobus 569). He discusses the significance of the brain imaging that shows a â€Å"readiness potential† and what it really means to have a free will. Through his essay, though, it is interesting to point out where religion and Christianity stands on the issue of free will and whether Christians are puppets under God’s command. Ramachandran poses this question about free will: â€Å"Is your brain the real one in charge, making your free will only a post-hoc rationalization; a delusion..? † When a special experiment was underway, it was discovered that when a person was told to move their finger within the next ten minutes at their own free will, their brain would kick in almost a second before the actual willingness to move the finger. This posed the original question stated above and brought on other questions as well. If this person is now shown the screen displaying the signal from the EEG scanner hooked up to your brain, they can then see their free will. They will then have three options: 1) They will experience a sudden lack of will, feeling as though the machine is controlling them, making them feel like a puppet. 2) They will refuse to have their belief of their free will to be altered but instead believe that the machine has some â€Å"paranormal precognition by which it is able to predict your movements accurately† (Ramachandran 559-60). 3) The person will reconfigure the experience in their mind, and cling to their sense of freedom, denying what their eyes have seen as evidence and maintain that â€Å"the sensation of will precedes the machine’s signal, not vice versa† (Ramachandran 560). The point when the brain would â€Å"kick in† before the movement is called the â€Å"readiness potential†. The â€Å"readiness potential† is what happens when there is a change in the electrical activity of the brain that occurs before the subject’s conscious decision to move a muscle (medical-dictionary. thefreedictionary. com). Ramachandran believes that â€Å"†¦ there is an inevitable neural delay before the signal arising in one part of the brain makes its way through the rest of the brain to deliver the message†¦ natural selection has ensured that the subjective sensation of willing to delay deliberately to coincide not with the onset of the brain commands but with the actual execution of the command by your finger† (Ramachandran 560). Ramachandran is a firm believer in evolution, believing that the events must have some sort of evolutionary purpose. â€Å"On one hand,† he says, â€Å"this experiment shows that free will is false and cannot be causing the brain events because the events kick in a second earlier. But on the other hand, the pause must have some purpose, otherwise why would the delay have evolved† (Ramachandran 560). Though these events have a purpose, evolutionary is not the answer. In Joshua 24:15 it says â€Å"Choose for yourselves this day who you will serve, as for me and my household we will serve the LORD. † God gives mankind a choice to follow Him and so free will is a gift from God as something to be accepted. Humans have the gift of God to reject or take the free gift that He offers. If humans really are descendants of apes, then when did the gift of free will come into the evolutionary chain of today’s mankind? John 7:37 says â€Å"Anyone who is thirsty may come to me. † It is an offer. Not a demanding command. ‘Anyone who is thirsty may come to me’, shows us that God does not want us to be without his living water and without him, but it is our choice whether we choose to accept God’s free gift of salvation. When studying free will in the Bible and through works of literature like Vilayandur S. Ramachandran, there will always be people on both sides of the argument. Do we have control of our own destinies or are we merely puppets in God’s giant game of the world? My personal beliefs on the subject are as I have stated in this paper: Though God has a control over the destiny of the world and each of our lives, he gives us a chance to make a decision to follow him or to ignore the free gift of his son that he has offered to us. John 3:16 it says: â€Å"For God so loved the world that he gave his only son that whoever believed in him would have eternal life in Christ Jesus our Lord. † Works Cited Jacobus, Lee A. A World Of Ideas. 8th ed. Boston: Bedford/St. Martin’s, 2008. Print. The Free Dictionary. Medical Dictionary. Online source. http://medical-dictionary. thefreedictionary. com/readiness+potential Bible. New Living Translation.

The Invention Of The Automobile - 1051 Words

The Invention of the Automobile, A Turning Point in History One could argue that one of the best inventions of the 1900’s was the Model T Ford or Tin Lizzie. The invention of the automobile has certainly left an indelible mark on the American Society. Consequently, the automobile has become the center of an extraordinary industry with the assembly lines and mass production techniques. These elements have essentially revolutionized the automobile industry. The Model T Ford made car travel affordable for the working class. In 1914 the average American worker made $11 per week. Previously, cars were seen as a novelty only the wealthy could afford. Ford was able to keep car prices down through efficient fabrication vs. personal hand crafting and assembly line production. Ford once announced to the world, â€Å"I will build a motor car for the great multitude†. Detroit would become the motor capital of America with the creation of this enormous industry. Henry Ford grew up during the period of the Civil War. He was raised on a prosperous farm. There he learned the values of hard work and responsibility. He loved to tinkle with things and realized his mechanical abilities early. One of his hobbies and loves became watch repairs. He never had any formal education and could not read easily or write. Ford knew he did not want to make his living as a farmer. Luckily his mechanical genius took him in another direction. Henry Ford was the first to put rubber tires on the car wheels. HeShow MoreRelatedThe Invention Of The Automobile2373 Words   |  10 PagesAutomobiles are arguably one of the most important inventions in the history of the world. Not only have they allowed us to get from point A to point B in a faster fashion than walking but they have also aided us in new inventions that will greatly benefit the world. Before the birth of the automobile, people had few choices of transportation that could actually get them to a specific location of their choosing. Railroads and boats were modes of transportation that were mainly used for travellingRead MoreThe Invention Of The Automobile1378 Words   |  6 PagesThe automobile has become one of the most important parts of daily life. Life as we know it would be altered without them. Without cars the simplest trips would take longer. Cars make life easier. Automobiles have improved throughout history and continue to improve as time goes on. The invention of the automobile cannot be credited to just one man or woman. â€Å". It is estimated that over 100,000 patents created the modern automobile.† (inventors.about.com). In the later 1700s, Engineers began to experimentingRead MoreThe Invention of the Automobile1798 Words   |  7 Pages Ever since the early invention of the automobile from the second industrial revolution, humans have taken granted for the convenience of this technological advancement. In most developed countries and urban cities like Vancouver, owning an automobile vehicle or taking any forms of transportation has become a norm and an essential element in order to operate our every day life. It is difficult to imagine a day without a transportation tool in our modern society: as a student, we need to commute toRead MoreThe Invention Of The Automobile1751 Words   |  8 PagesContrary to popular belief Henry Ford did not invent the automobile, or the assembly line. More than any other individual he was responsible for transforming the automobile from an Invention of unknown utility into an innovation that profoundly shaped the 20th century and still To this day continues to affects our live. Innovators change things, they take their own ideas, And sometimes other people’s, and develop and promote those ideas until it has become accepted As part of our daily lives. InnovationRead MoreThe Invention Of The Automobile Industry Essay1150 Words   |  5 Pagesdefinitely the biggest invention on history changing the way humans transport. In the past, there were no vehicles and therefore people used to walk while only the few lucky had the privilege of enjoying a horse ride. There were also horse wagons which were made in order to increase the number of persons who could be carried (Lynn, 54). However, in the year 1907, Henry Ford invented the first car model which was referred to as T model, that allowed everyone to own a automobile. 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Later, to comfort his journey on foot, was the invention of footwear. Through envy of the speed of other animals he would learn to tame these animals. People who live in the desert ride atop camels. The people who live in the frigid climates travel by dogs. Some people from places like India ride elephants. But the must widely used form of transportation by animal power was by horse. Man wouldRead MoreThe Invention Of The Automobile Industry1302 Words   |  6 PagesThe automobile industry is said to have its beginnings dating to the 19th century. Gottieb Daimler and Wilhelm Maybach, of Germany, fitted their engine into a stagecoach in 1886 (Kindersley, 2011, 10). They were both successful at creating the first four-wheeled, gas-engine vehicle. It reached a top speed of ten miles per hour. Each engine was still being fitted into stagecoaches (Kindersley, 2011, 10). The industrial revolution introduce d a wide array of new ideas for the automobile. The ideas ranged